|
|
The Life and Artwork of Michail Vrubel with analysis of paintings Seated Demon and Demon Downcast
Brathova, Silvia ; Alt, Jaroslav (advisor) ; Hájek, Václav (referee)
This diploma thesis follows the personality and art of a Russian painter from the turn of the 19th and 20th centuries, Michail Vrubel. It analyzes the artist as unconventional appearance in the so called Silver Age of the Russian art, a pionier of modernism not only in terms of developing the style but also the inovative technique he used, abandoning the tradition and traditionalist paintings. The first part of thesis focused on the main biography of Michail Vrubel and the view of his art, devided into three periods, as well as the main milestones that influenced him. Next the focus moves to the overview of Russia at the end of 19th and beginning of 20th centuries, the ,,Silver Age", with special attention to symbolism, with which Michail Vrube lis often associated, even though he does not fit the symbolist characteristics completely. In the following part, the focus shifts to the innovative painting style of the artist and his trademark reduction of forms, best seen in two of his prominent pieces - Seated Demon and Fallen Demon. The final part lists the artist's contribution to the world of art and his influence on the following generations. The goal of this thesis is not to criticize the work of Michail Vrubel. Rather, it enables the views of his personality and art through the eyes of his...
|
|
|
The Life and Artwork of Michail Vrubel with analysis of paintings Seated Demon and Demon Downcast
Brathova, Silvia ; Alt, Jaroslav (advisor) ; Hájek, Václav (referee)
This diploma thesis follows the personality and art of a Russian painter from the turn of the 19th and 20th centuries, Michail Vrubel. It analyzes the artist as unconventional appearance in the so called Silver Age of the Russian art, a pionier of modernism not only in terms of developing the style but also the inovative technique he used, abandoning the tradition and traditionalist paintings. The first part of thesis focused on the main biography of Michail Vrubel and the view of his art, devided into three periods, as well as the main milestones that influenced him. Next the focus moves to the overview of Russia at the end of 19th and beginning of 20th centuries, the ,,Silver Age", with special attention to symbolism, with which Michail Vrube lis often associated, even though he does not fit the symbolist characteristics completely. In the following part, the focus shifts to the innovative painting style of the artist and his trademark reduction of forms, best seen in two of his prominent pieces - Seated Demon and Fallen Demon. The final part lists the artist's contribution to the world of art and his influence on the following generations. The goal of this thesis is not to criticize the work of Michail Vrubel. Rather, it enables the views of his personality and art through the eyes of his...
|
|
|
How Invitation to a Beheading is Made. Theatrical and Polemic Elements in Vladimic Nabokov's Novel
Lenz, Linda ; Svatoň, Vladimír (advisor) ; Dohnal, Josef (referee) ; Pechal, Zdeněk (referee)
The work focuses on the analysis of the poetics of Vladimir Nabokov's novel Invitation to a Beheading in terms of its cultural context. Specifically deals with its relation to the Soviet theatrical avant-garde, with mythopoetic symbolism and early avant-garde. We approach to the novel as a parody of the post-revolutionary avant-garde Soviet theater experiments. Special attention is paid to the fact that due to the theatralization of the text, i.e. assimilation of the novel space with the theatricals, diegesis of Invitation to a Beheading is divided into two equal opposing worlds, each of which represents particular poetics. World built around main character of Cincinnatus is comparable to symbolism, namely to the symbol and symbolistic perception of Andrei Bely. The central principle of this reality is semiotization of the world. The surrounding fictional world creates its opposite as it is shaped by the principle of desemiotization which - as a central aspect of formalistic-futuristic avant- garde - systematically dismantles hero's world. However neither of these worlds is winning. In the end it is the synthesis, which helps the hero get emancipated from the novel's world. The Invitation to a Beheading can therefore be interpreted as original artist's world manifesto which through presentation and...
|
guest ::
